The BrauerHouse & Anxious and Angry present:
Off With Their Heads & The Bollweevils Presents: Spare Parts West A Night of Comedy & Music
Off With Their Heads, The Bollweevils, Spells
Fri. Feb 2
Doors: 8:00 pm / Show: 9:00 pm
B House Live
$12.00 - $15.00
This event is 21 and over
The Brauerhouse and Anxious and Angry present:
Spare Parts West: A night of music and Stand Up Comedy
Off With Their Heads (Acoustic AND Full Band Set)
Spells (Punk rock from Denver)
Stacey Dee (of Bad Cop / Bad Cop)
Seth Anderson (One Week Records)
+1 More TBA
Ben Roy ( of Tru TV's "Those Who Can't")
Produced by Bill Stevenson of Decendents fame at the Blasting Room in Fort Collins, CO, Home retains all the boisterous spirit of the band's earlier efforts while sonically taking a monumental step forward. The new album embraces authentic punk rock at its core and combines melodic fast paced aggression with mid-tempo pop, while singer Ryan Young's rough and edgy vocals and genuine lyrics create a sincerity that can only come from a hard working band that lives and breathes it every day.
"Home is about the struggles of constantly being on the move, trying to maintain relationships while being away, and not feeling like there is really anywhere to go home to anymore," says Young. It's about the reasons why people leave their hometowns and never go back."
From the first track, "Star Walking", an explosive opener about things getting worse while waiting for things to get better, to the album's first single "Nightlife" about worry-filled, sleepless nights that keep you awake, Young describes the new album as "being about how hard it is to accept change for some of us." This is evident in the sobering track "Stolen Away" that takes a hard look at fleeting relationships while "Seek Advice Elsewhere" touches upon the importance of reflection. Young continues to say, "It's about getting older, and not being ok with it. It is about how religion can destroy a family. Finally, it is a dedication to anyone who can relate."
Off With Their Heads have begun to carve out their own foundation in punk rock history with their very own take on rowdy, self-deprecating, beer-drinking, working class punk rock. When it comes to touring virtually year round, it isn't a choice as much as it's a lifestyle for Off With Their Heads. In March, the band will once again head out on another tour in anticipation of one of the year's most engaging punk rock records.
Undisputed as one the finest Chicago punk outfits during the 1990s, The Bollweevils were, and still are, defined by their spirited live performances and a song catalogue that demonstrates both their roots and creative ability as a band.
Known for their connection with fans, The Bollweevils began their recording career on Underdog Records, but soon were noticed by Dr. Strange Records. And shortly thereafter, the band released the punk staple “Stick Your Neck Out,” which featured favorites such as, “Dehumanize,” “Bottomless Pit,” and “John Doe.” The album defined The Bollweevils sound, which is laced with high-paced drumming, aggressive guitar and bass workings, and witty and sometimes tongue-in-cheek lyrics. Because of this, The Bollweevils soon garnered one of the largest local audiences and became one of the preeminent bands during the 1990s Midwest punk scene.
During this time, the band began playing more shows throughout the United States and shared the stage with bands that were both influences and contemporaries, including Naked Raygun, Rancid, AFI, Pegboy, Down By Law and Youth Brigade—many of which who later appeared on the band’s album liner notes.
The Bollweevils' second album, The History of the Bollweevils, Part One, collects previously released material from EPs and compilations. 1995's new studio effort Heavyweight boasted a more mature approach, with increasingly complex arrangements and backing vocals. The album concludes not only with a cover of the Bad Brains' "Pay to Cum," but also a 10-minute-plus, audio tour-diary entry.
And although the band went through several lineup changes, The Bollweevils never lost focus on creating an everlasting effect on the Chicago punk scene. Perhaps, one of the best representations of this is their release “Weevil Live.” To see The Bollweevils live is not only an experience, but an assault on the senses and the album surely captures that spirit. The band gels on stage like very few bands can—with Daryl flying around stage and jumping on the audience, Ken and Bob shredding guitars and the fans just eating it all up.
However, like all good things, things had to come to an end and the band officially disbanded in 1996 when they announced, on the legendary Fireside Bowl stage, that they would be playing their last show. To put it simply, fans were not only stunned, but very disappointed as well. At that time, it appeared that The Bollweevils were destined only to become folklore to a new generation of punks.
But in 2003, The Bollweevils reunited for a one-off sold-out show for WLUW at The Metro with a new drummer, Pete. The show, at that time, was considered as the best Bollweevils’ performance to date and whole new generation of Chicago kids were now even more intrigued by the band.
So when the band officially reunited once again in 2006 which included Naked Raygun, The Blue Meanies and 7Seconds, there was a resounding “Hell Yes” by the punk community because unlike many bands who have come and gone, The Bollweevils’ music is as relevant today as it was when it was first written. In the upcoming months the band plans new releases, more shows and a dedication to its fans that will be rivaled by none.
B House Live
1000 N Rohlwing Road #13
Lombard, IL, 60148